VERDI La Traviata | isanprojis.ga
By modern theatrical standards, Sutherland seems to outsource the emotional expression of her role to bel canto singing style. Simply follow the tradition and pathos takes care of itself. One hears a handful of phrasing techniques distinctively rounded phrases or descending portamentos employed to varying degrees to suit the emotional temperature of any given moment, almost like the prescribed physical gestures that were widely used in the 19th century.
And these devices do their job without seeming mannered amid the brimming good health and endless colour of the Sutherland voice, then in the early years of a great career. Ever-tasteful Carlo Bergonzi seems a bit underpowered next to her; Robert Merrill was only starting to acquire the theatrical fluency of his later years. Dessay is in her glory in her Act 2 confrontation with the elder Germont.
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Charles Castronovo is probably the handsomest Alfredo on DVD though his singing, always fine, never reaches the realm of his great predecessors in the role. Dress is dissolute modern with lots of hipster hats.
The intentional artificiality extends to the country setting of Act 2, with painted panels of clouds and fields. None of this seriously undercuts the opera. But running the acts together does. Where Sivadier truly serves the opera is in the nuanced character interaction.
Time and again, he gets to the heart of a scene, almost despite his own production. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.follow url
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Media Format:. End theoretical digression. And a Violetta whose sole affect is fragility is too one-sided an interpretation to convince me.
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Matthew Polenzani sang Alfredo wonderfully, with inventive phrasing and consistent beauty of tone. Vocally, he has the range of about a fourth in his voice that sounds just spectacular, from around an A to a D at the top of the staff. La traviata continues through May 2.
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I love that you bring in Abbate here! We've had Polenzani only once in SF, where he was a breathtakingly beautiful Belmonte. He is back this coming season…in Hoffman with Dessay. Perhaps she will be taken ill for all of June, The E Flat wasn't! He hasn't got any difficoulties in the lower and upper register… I think that I won't read your blog anymore…. Which, yes.
But I don't see why it always has to be a dichotomy between the two levels—seems to me like the two are in constant interaction…. April 19, 4 Comments. Share this: Click to share on Twitter Opens in new window Click to share on Facebook Opens in new window Click to email this to a friend Opens in new window. Previous Post Next Post.
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